Example of Psychoanalytic Theory Psychoanalytic theory relates to the structure and theory of Freud's theorems. Her concept The Matrixial Gaze,[13] that has established a feminine gaze and has articulated its differences from the phallic gaze and its relation to feminine as well as maternal specificities and potentialities of "coemergence", offering a critique of Sigmund Freud's and Jacques Lacan's psychoanalysis, is extensively used in analysis of films. In reply, Freud gave this legendary quote: “Sometimes a cigar is just a cigar”. Such films may force a more active participation on the part of the viewer in the process of meaning creation that occurs between film, filmmakers, and spectator. This is one hell of a Freudian film…. Psychoanalytic film theory, despite its relatively late development, has become one of the most widely practiced theoretical approaches to cinema studies today. I will consider several Disney films in seeking to explore these stereotypes: Tangled, The Princess and the Frog (Clements & Musker, 2009) The Lion King (Allers & Rob Minkoff, 1994), Aladdin (Clements & Musker, 1992) and The Little Mermaid (Clements & John Musker, 1989) as I believe these all can be seen as very reflective of the societies in which they were produced and reveal Disney’s world view. One of the driving principles of Freud's approach was not to 'direct' the patient or take judgmental positions, but to help the patient explore conflicts and mental habits, as part of a holistic approach in which the patient is directly involved in treatment. The theory is separated into two waves. Michael Myers (The Love Guru himself) is all sorts of messed up from his childhood, when he witnessed his sister copulating and stabbed her to death in his confused pre-sexual rage. In terms of egos, Mother is the first other, and this defines our own psyche, at least according to that Viennese pervert Freud. Spellbound, Alfred Hitchcock, 1945; The Third Secret, Charles Crichton, 1964; Atmen (Breathing), Karl Markovics, 2011; Shrink, Jonas Pate, 2009; Willy Wonka & the Chocolate Factory, Mel Stuart, 1971; Example. Imagine raising your son, only to realise when he reaches sexual maturity that he looks exactly like that guy you almost boned in high school. The Oedipal fear all men have is that we’ll be outclassed in the might of our genitalia, specifically of our father’s genitalia (let’s hope you aren’t visualising this blog as you go along). Give it a watch, it’s a great film, and makes a reasonable case for moving out of your parent’s house and chemically castrating yourself. The obvious choice to start your misadventures with Freudian psychology in film. Psychoanalytic Film Theory and The Rules of the Game. The study analysed George a 35year old high school teacher who has recently been hospitalised due to the presentation of certain psychological symptoms. The theory stresses the subject's longing for a completeness which the film may appear to offer through identification with an image, although Lacanian theory also indicates that identification with the image is never anything but an illusion and the subject is always split simply by virtue of coming into existence (aphanisis). Psychoanalytic film theory occurred in two distinct waves. However, the 1970s and 1980s saw the development of theory that took concepts developed by the French psychoanalyst and writer Jacques Lacan and applied them to the experience of watching a film.. Below is a list of films influenced by psychoanalysis in some way or another. 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